Neo-Classical neo-noirs
The article Neo-Classical neo-noirs is giving an outlook on how the two come together and differ from one another. In the styles aspects in which the hard-boiled fiction came to the big screens. In the neo-noirs films there are many boundaries that are crossed then in the classical noir films.African American in neo-noirs
The African American article discusses how a small group of neo-noirs have put together the African American and white criminals and investigators together in film and books of noir, And treating each race with dignity and respect. The history of this racial element matter to the African American social life in the 1960s. Given them citizenship and putting them in them in a black second-class. Noir films of 1940s and 50s did not have any blacks.The political uses of neo-noir
This atrial give the in site on how the neo-noir form is deeply political. And the recycling of noir from the 1940 and 1950s to the neo-noir in the 1960s. It compares the two of them by each element giving the reader a clearer vision of what the diffident of the two are.
Mean streets and raging bulls
This book talked about styles and coast of noir though out its time. How the how the financial problems affected the movie industry in the mid-sixties through the early seventies. It also shows the noir modernist in films.
The philosophy
This book talked about the moods of film noir. And that film noir is not genre. And the cheaters are diffident in many ways than that of western and gangster films.
